TheDocSociety

@TheDocSociety

Doc Society loves documentaries. We are a nonprofit foundation dedicated to reinventing funding and distribution models for independent filmmakers.

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Vrijeme pridruživanja: studeni 2010.

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  1. Prikvačeni tweet
    22. sij

    Us: Seeking three fabulous candidates to fill three very different, very important roles in our offices in London and New York! You: Highly interested in radical collaboration using the power of documentary! For more info and application instructions: .

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  2. prije 4 sata
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  3. proslijedio/la je Tweet
    15. sij

    A bright opportunity for underrepresented : APPLY FOR AN IMPACT KICKSTART from Working Films! Find out more and submit at Deadline 2/7

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  4. proslijedio/la je Tweet
    24. sij

    Doc Filmmakers! 📣 >> Applications for the Doc Society Fund opens on the 29th of January!⏳ Got questions? 🚨 Join the team for a fund WEBINAR @ 1pm on Thurs 6 Feb! Register here👇🏽

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  5. proslijedio/la je Tweet
    31. sij

    Lindsay Poulton Head of at event on her 'like to sees'... "1. Good loglines - what is it? And why should anyone care?", "2. Be flexible to change bur resilient", "3. Be true to yourself, your vision & your purpose".

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  6. 31. sij

    That’s a wrap from the room. Now it’s networking and one-to-ones: people can sign up to talk to today’s panellists and others from the industry, to ask for advice, talk about their projects, learn more about or the BFI. Thanks to everyone for coming!

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  7. proslijedio/la je Tweet
    31. sij

    🔥 ".. Cinéma vérité is my first love - there's something special about capturing intimate, personal, authentic truths" - Kim Hopkins // ⭐⭐⭐⭐⭐

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  8. 31. sij

    Kim @labouroflovefilms: “I thought getting access in Cuba was a challenge, but it was nothing to the difficulties of filming in Yorkshire.”

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  9. 31. sij

    A group of fisherman and family planned to make the escape crossing from Cuba to Florida. Kim trainer one how to use a camera. This yielded five hours of footage of the group at sea.

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  10. 31. sij

    Kim talking about the challenges of making Voices of the Sea, a film about the hardship of life in a Cuban fishing village.

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  11. 31. sij

    Great discussion with Head of Documentaries discussing the most thought provoking, courageous short-form docs of our times.

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  12. proslijedio/la je Tweet
    31. sij

    ⚡⚡ ".. I'm excited by working with independent filmmakers who are the only people that could have made that particular film" - //

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  13. 31. sij

    Guardian typically out between £10k-£50k into films. Will consider sole financing, co-financing.

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  14. 31. sij

    Lindsay: being able to communicate in one sentence what your film is about will help you, your team, and potential funders. Most successful film teams are flexible and resilient. It’s possible to be true to your vision while changing plans.

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  15. 31. sij

    Lindsay: no film I’ve worked on has gone smoothly, none has ended up the same as it was on paper. In a pitch, the Guardian as a global platform wants ideas that will have global resonance.

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  16. 31. sij

    Lindsay: we like filmmakers who have access to subjects/communities we couldn’t otherwise reach. And we like to work very closely with our filmmakers. Some come and work in-house with us, others more remotely.

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  17. 31. sij

    Lindsay says she gets about 1,000 pitches a year. “What we ask for in the first instance is a nice clear one-pager.” Brevity and clarity emerging as a theme for what commissioners look for in pitches!

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  18. 31. sij

    Guardian shorts tend to be slightly longer; gives more space to go in-depth.

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  19. 31. sij

    And now it’s , Head of Documentaries at the Guardian , to talk about the Guardian’s slate of thought-provoking, courageous short-form docs.

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  20. proslijedio/la je Tweet
    31. sij

    - matt i thought this thread might be of interest to you esp the bit about impact goals. (plus nae paseran is incredible)

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  21. 31. sij

    LM: and keep your CV short. A focussed 1-page CV is more effective than 5 pages.

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