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@TheAtlCulture

Culture coverage from | Culture [at] theatlantic [dot] com

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Joined November 2009

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  1. "The Nike boycotts misunderstand what drives the company: It ultimately wants to sell more products, not market ideas." on the inefficacy of the outrage over the brand's Kaepernick campaign:

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  2. . previews some of the most exciting movies screening at this year's :

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  3. Despite its balanced racial makeup and high graduation rate, one high school in Chicago still struggles with inequality among its students. writes about a new doc exploring why:

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  4. Jacques Audiard, the director of the new film 'The Sisters Brothers,' discusses adapting Patrick deWitt's novel and the limits of the classic Western with :

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  5. 'Coyote Doggirl,' a new graphic novel from Lisa Hanawalt of , sheds the self-seriousness of the Western genre, but retains another sort of poignancy, writes:

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  6. People touring places at which chattel slavery occurred typically don't learn the full scope of America's first economic industry, writes :

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  7. What happens when slavery is erased from plantation narratives? This important piece from

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  8. . on Geoffrey Owens, Trader Joe's, and the strange irony of a working actor being shamed for having a job:

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  9. "It’s refreshing that in a genre especially obsessed with statements of dominance, Eminem doesn’t disguise his feelings of irrelevance." Smart piece on Eminem in middle age:

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  10. Eminem uses his own irrelevance for fuel on his surprise album 'Kamikaze,' writes:

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  11. Marie Severin upended the way fans experienced comics. remembers the long and varied career of a pioneering artist:

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  12. The novel 'Suicide Club' is a portrait of desensitized consumers who find release in self-destructive violence—but also a meditation on the human cost of immortality, writes :

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  13. In a few weeks, I'll be starting a new assistant-editor role ! Here's my first book review:

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  14. Jack Ryan is back, and he's still just an analyst. on how the new Amazon show reinvents a 1980s hero for a 2018 world:

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  15. The aspiring pop star Troye Sivan makes music with extreme sensitivity and an extreme, sometimes stifling, sense of control, writes:

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  16. In 'The Little Stranger,' the emphasis isn’t on jump scares, but on genuine, pervasive dread, powered by forces that might be supernatural, writes:

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  17. . on the significance of a professional sports team finding a way to actively profit off of playing poorly:

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  18. On , a sanctified family continues to grapple with its many sins—and the judgment they invite, writes :

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  19. . writes that 'Operation Finale' is about staring evil in the face—and then dealing with the horrific realization that such evil often goes hand in hand with something much more mundane: humanity.

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  20. Kesha is beloved by queer audiences—but so is Kim Petras, the singer through whom Dr. Luke is mounting his comeback effort, writes:

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