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SoundWorks Collection proslijedio/la je Tweet
Hear how the
#Oscars
-nominated sound team behind Ford v Ferrari created the movie's acoustic moments on @SoundWorksTweet. http://apple.co/Soundworks pic.twitter.com/BnzTSelqtO
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Three time Academy Award-winning re-recording mixer Mike Minkler, multiple Oscar-nominated supervising sound editor Wylie Stateman, and effects mixer Christian Minkler discuss how they recreated 1969 LA for director Quentin Tarantino
@OnceInHollywood. https://youtu.be/jwzrMz5dCeQ pic.twitter.com/hFhDhKT3ip
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SoundWorks Collection proslijedio/la je Tweet
Why not give this interview a listen...?
The Sound team behind @1917FilmUK talk backstage at the#EEBAFTAs
ceremony after picking up their award #BAFTAspic.twitter.com/9jWr6pjB1gSound - Backstage Winners' InterviewHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Supervising sound editor
@matthewood describes his mobile backpack ADR studio and how he recorded a majority of Star Wars: The Rise of Skywalker voice recordings. Watch the full video: https://youtu.be/_ENrGVzr0bs pic.twitter.com/JtAvQEKZ36Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
SoundWorks Collection proslijedio/la je Tweet
if you watch anything on twitter today, let it be this. This doesn’t just need to happen on set but also in post production too and especially in sound. Some of us are trying to make a change but not enough. Doing the right thing should never be a slow and difficult processhttps://twitter.com/BAFTA/status/1224099594465873925 …
1:58Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Re-recording mixers Tom Ozanich and Dean Zupancic discuss how they used impressionistic sound design to take the audience inside Arthur Fleck’s mind describes crafting the sound of Arthur Fleck’s apartment. Watch the full video: https://youtu.be/jR2GhvupLPo pic.twitter.com/DCZDLadx1Y
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Three time Academy Award-winning re-recording mixer Mike Minkler and Christian Minkler describes how it is to work and collaborate with Director Quentin Tarantino on the mix stage for
@OnceInHollywood. Watch the complete video: https://youtu.be/jwzrMz5dCeQ pic.twitter.com/1dyArJMNhMHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Seven-time Academy Award-winner Gary Rydstrom was recently nominated for his sound work on AD ASTRA! Watch the complete video: https://youtu.be/VdOnwlsoh-Q
#Dolby#DolbyInstitute#AdAstra#Oscars
pic.twitter.com/oPycNJMp09Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
VIDEO: “The Killing of Two Lovers” is a film selected for
@sundancefest directed by Robert Machoian. Sound Designer/Re-Recording Mixer@lydrummet and Re-Recording Mixer David Barber talk about the sound design and mix of the acclaimed family drama. http://bit.ly/2uRBzxQ pic.twitter.com/0tjY8KQlDB
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VIDEO: In this episode, seven-time Academy Award-winner Gary Rydstrom delves into using sound to create an increasingly unsettling journey in AD ASTRA! http://www.youtube.com/watch?v=VdOnwlsoh-Q …
#Dolby#DolbyInstitute#AdAstra#Oscars
pic.twitter.com/t4tL3Umoyj
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SoundWorks Collection proslijedio/la je Tweet
The
#Dolby Institute &@SoundWorksTweet#Oscars
Podcast, now in its 5th season, highlights the achievements in nominated films where sound plays an important role in the storytelling. Tune-in to hear how these artists accomplished their work: https://dolbylabs.co/2uKXR4t pic.twitter.com/0YAd8mUPHGHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
SoundWorks Collection proslijedio/la je Tweet
Some fun conversations with
@DAVID_LYNCH that I shot a few years ago with Ann Kroeber are online!https://twitter.com/prosoundeffects/status/1222572614280871939 …
0:52Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
OSCAR PODCAST: We chat about the challenges and fun experiences that arose from working on the sound of
@1917. Featuring ADR/dialogue supervisor Rachael Tate and production sound mixer Stuart Wilson! http://bit.ly/2tQzgLy pic.twitter.com/uufANPuNKD
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OSCAR PODCAST: Supervising sound editors Matthew Wood and David Acord delve into the conceptual and sonic intricacies of evolving “force lightning,” and about working in stages from temp mixes to the final mix in a film with a legacy. http://bit.ly/2Gz1NYo pic.twitter.com/QF7fCnX3yE
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SoundWorks Collection proslijedio/la je Tweet
Congratulations to Leslie Ann Jones for taking home her 5th Grammy last night for Best Engineered Album, Classical! If you missed her story on CBS BayArea, check it out here:
#Grammys
https://sanfrancisco.cbslocal.com/video/4420911-bay-area-recording-engineer-leslie-ann-jones-may-take-home-another-grammy/#.Xi8hzVtTIxs.twitter …Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
SoundWorks Collection proslijedio/la je Tweet
Delighted to have joined Chris and Mike Minkler on this episode of the Dolby Institute and Soundworks Collection podcast! Thanks,
@GlennKiser for a great conversation.https://twitter.com/SoundWorksTweet/status/1221832512554430464 …
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OSCAR PODCAST: 3 time Academy Award-winning re-recording mixer Mike Minkler, multiple Oscar-nominated supervising sound editor Wylie Stateman, and effects mixer Christian Minkler discuss how they recreated 1969 Los Angeles for director Quentin Tarantino. http://bit.ly/2uAcY0A pic.twitter.com/pEx0uVgnOh
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SoundWorks Collection proslijedio/la je Tweet
Making Waves: The Art of Cinematic Sound WON the
@CinemaAudioSoc award for Best Mixing for a Motion Picture Documentary! Congratulations to Tom Meyers (re-recording mixer), David J. Turner (production mixer), Dan Blanck (scoring mixer), and Frank Rinella (ADR mixer)!#CASAwardspic.twitter.com/ixNGZ7SgQw
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Congrats to all of the
@CinemaAudioSoc (CAS) awards winners! FULL AWARD LIST: http://bit.ly/38RtdFp pic.twitter.com/03L0Pc57WQ
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SoundWorks Collection proslijedio/la je Tweet
Congratulations to Toy Story 4 on their Cinema Audio Society Award win for Outstanding Achievement in Sound Mixing for an Animated Motion Picture.pic.twitter.com/H9soJQs8ZW
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“Because of his good ears and his technical ability, [Alan Splet] would record things that had maximum power… He recorded these beautiful winds, and they are just beautiful. They just make you soar out.”
— David Lynch (Eraserhead, Twin Peaks)