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Self portrait, New York, October 1953 by Vivian Maier.pic.twitter.com/YHS1bhBmEl
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If you ever wondered what the inspiration was for Bill Brandt’s very strange nudes look no further than Edward Weston who Brandt described as being from the ‘poetic’ school of photography. Here is one of Weston’s nudes from 1936.pic.twitter.com/uiEL2kjgw4
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I don’t normally do group photos of protests but there is something about the quality of this one that I really like. Taken on Waterloo Bridge last year with the vintage Leica and Ilford FP4 film.pic.twitter.com/VLOWp22PkG
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Two lone protesters facing the police, Cuban missile crisis, Whitehall, London in 1962 by Don McCullin and Waterloo Bridge in 2019 by me.pic.twitter.com/aMLEOQAvQO
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When photographing the people on either side of the Brexit debate I was always struck by how different they were in mindset and in character. Brexit is not just about the EU it is deeper than that and speaks to our personal values and how we view the world.pic.twitter.com/wYXnbGCwcZ
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Two contrasting faces of England by Bill Brandt. Kensington children’s party and unemployed miner’s child in Jarrow in 1937.pic.twitter.com/TwpYxdkym7
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Today’s
#GalleryOfThePeople photo sharing event is on the theme of ‘keep the lights on’ your photos of the Europe we all know and love. Reply to this tweet with your photo and the hashtag for a retweet and a wider audience. Here are four from me.pic.twitter.com/c4eTB7coB8
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This is one of McCullin’s most famous photos, centre stage at Tate, lauded for its impact and power yet nobody knows who this man was and his story remains untold. This photo was the inspiration for my photo of Steve in Soho in 2016 which kickstarted the Outsiders project.pic.twitter.com/2KHfwwsVkn
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Homeless Man, Spitalfields, 1969 by Don McCullin. “I held his gaze and looked into the bluest eyes I had ever seen then brought my Nikon up to my eye and took the photo. He looked like one of those Neptune figures”. McCullin thought this was the best portrait he had ever taken.pic.twitter.com/55HBiDqwJo
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A man collects firewood from derelict buildings to keep his home warm, Liverpool 1978 by Don McPhee. Nostalgia is a seductive liar.pic.twitter.com/JU3J4PVV8y
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Two contrasting faces of English life in 1937 by Bill Brandt - an unemployed coal searcher returning home in Jarrow and toffs relaxing in luxury with friends in Mayfair.pic.twitter.com/o9xzRckQlC
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Madame. Fauché, the widow of an impressionist painter, Paris in 1956 by Bruce Davidson. She lived among the paintings of her late husband in a Montmartre garret. The skylight framed the Moulin de la Galette. She had known Toulouse-Lautrec, Renoir, Matisse and Gauguin.pic.twitter.com/bBVsYsyvNO
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As
#BrexitEve is trending here is a reminder of what Leave voters wanted to get out of Brexit. Read it and weep.pic.twitter.com/yxwkTiNakl
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