RIP, the Dostoevsky of Cold War thrillers. He showed how enemies can end up mirroring one another—and the truth of Nietzsche’s warning, that when you long gaze into an abyss, the abyss also gazes into you.
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“le Carré’s true subject is not spying,” wrote @fromTGA “It is the endlessly deceptive maze of human relations: the betrayal that is a kind of love, the lie that is a sort of truth, good men serving bad causes and bad men serving good.” nytimes.com/2020/12/13/boo



