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the old take i had on this was: if you tell people not to create the Torment Nexus all they'll remember is how cool the Torment Nexus was but i have a new take, which is: actually the guy who wrote Don't Create the Torment Nexus fucking loves the Torment Nexus too
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@QiaochuYuan this lil anecdote hits several of your buttons simultaneously
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(yet another use-case for multi-QTs, i really wanted to QT this thread simultaneously with the above, plus the torment nexus tweet really, which is at least linked below)
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“focus your energy on what you want to see more of” has some distressing implications for the whole genre of dystopian fiction. it suggests that dystopian fiction doesn’t successfully act as a warning, and if anything makes dystopias look cooler, more familiar, more thinkable
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Jurassic Park pretends to be a criticism of hubris or the perils of technology or w/e but even a little kid knows the actual message is "dinosaurs are fucking rad as hell and if we could bring them back we 100% should" same with Fight Club:
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I usually refer to this as the Fight Club Effect, but is there another name for it?: Basically, that the Message of your story isn’t what you can argue in a paper, or how you wrap up the last 5 minutes or whatever—the Message is whatever most people’s takeaway is.
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(it may be significant that both of these films are adaptations of books. possibly the original books functioned more like the criticisms they're supposed to be but that they were chosen as books to adapt to film mostly because then the film could be full of cool shit)
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this take apparently goes back in some form all the way to francois truffaut in 1973: "I don't think I've really seen an antiwar film. Every film about war ends up being pro-war." people condense this to "there's no such thing as an anti-war film"
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