listening for music that has chord progressions i don’t understand and then looking them up continues to be going well
this progression from focus by h.e.r. is made of sex. it voice-leads gorgeously but i don’t get it harmonically in the slightest
youtube.com/watch?v=Uj9y5x
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this is what it sounds like when i do it instead of h.e.r. 😅 this took more takes than i would’ve liked but in my defense i heard this song for the first time yesterday
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oh shiiiiiit there’s a descending chromatic line in the chords
E (from E major)
D# (from B major)
D (from G#dim7)
C# (from F# minor)
C (from F# dim)
B (from E major)
🤯
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there’s this big gap in my music theory education. i took ~two music theory classes in college: harmony and counterpoint, and a dope class called “music after 1960” with a lot of avant garde atonal stuff in it. but i don’t think i got a good grounding in like jazz harmony
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like i’m not even sure where to look to understand the harmonic ideas here. it’s obviously not totally atonal. is this jazz stuff?
Replying to
The Jazz Handbook by Jamie Aebersold is a really good reference for stuff like this
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