George Lucas needs to re-issue the original Star Wars movies at 48 frames per second with modern digital color correction. And auto-tune that Mos Eisley Cantina scene!
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The situation with digital cinematography reminds me of how synthesizers and digital effects ate music for about fifteen years before they were brought under control. The world did not need a Dylan song with gated reverb, but we got like four albums of them.
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In eastern europe, the situation was even more dire. We went from guitar and piano songs to whatever built-in effects came with the cheapest Yamaha synth, on every song, by every artist.
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There’s a brown list joke in there I’m too classy to make.
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maybe it's all secretly targeting 2000-era projectors that simply cannot do dark contrasts.
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It's a weird thing when Tim Burton's color palette is less goth than yours
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Because the sound of movie is a good movie snd this is just schlock
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I’m pretty sure they go drab to make it easier to inject CGI. (This is one of the things that makes Thor Ragnarok stand out from the rest — and even that isn’t as vivid as it could be.)
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With the notable exception of the greatest comic book movie ever made.pic.twitter.com/KTHF7w4fiS
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god, that movie was a joy
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