When you wonder "why is [NEW FORMAT] suddenly a thing?", the dynamic is always the same. Early advertising is fantastically lucrative. Once the stampede to the format starts in earnest, the margin drops quickly, and the cycle will have to repeat. It's driven by novelty.https://twitter.com/JayCoDon/status/1385617258353922055 …
I'm fine with any advertising model that's not built on universal surveillance (i.e., the kind that existed before 2000 or so). My statement about a permanent surplus of writers/broadcasters is just a recognition of reality. There will always be more bands than record deals
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Universal surveillance is a big exaggeration of what was going on, given that according to data brokers I'm both man and woman, poor and rich and half the stuff they think I'm interested in isn't what I'm interested in. Also advertising from before 2000s was total garbagehttps://twitter.com/freezydorito/status/1385531760709095427 …
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