Poems and humans are nothing more than temporarily stable data packages.
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Replying to @qdnoktsqfr
A poem is the cybernetic negative of all data.
#Teleoplexypic.twitter.com/JLzhPqaYhp
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Replying to @qdnoktsqfr
(At first - ‘it is the prison, and not the prisoner, who speaks’.)
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Replying to @qdnoktsqfr
‘[The homeostatic regulator] in literary form is the programmatic resoution of mystery & discordance.’ Horror is cyberpositive.
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Replying to @qdnoktsqfr
And yet - isn’t any culturally stabilised narrative form (i.e. genre) already traitorously homeostatic?
@Outsidenesspic.twitter.com/sCN9qM4YTq
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Replying to @qdnoktsqfr
@Outsideness Horror (irresolute and anti-unitary) - but as formal, not narrative, subversion?2 replies 0 retweets 1 like -
Replying to @qdnoktsqfr
[(T)e(ch)onomic] Form as [cyberpositive] Horror...
@Outsideness This is NRx?1 reply 0 retweets 1 like -
Replying to @qdnoktsqfr
@InfiniteSynths Perhaps a weird fringe of NRx ...
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Replying to @Outsideness
@Outsideness To what extent would it be accurate to say that tech-com NRx is only provisionally human politics?1 reply 0 retweets 1 like
@InfiniteSynths The nonlinear strategic tangles that lie occulted behind that question make any quick, confident answer comical at best.
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Replying to @qdnoktsqfr
@InfiniteSynths ... that's one way of putting it.
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