All Your Faves Are Problematic: Can We Cancel Art? #SydneyWritersFestival. Estelle Tang, Ashleigh Wilson & Osman Faruqipic.twitter.com/VYapTRTNql
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GREAT question from the floor: The discussion has focused on the artist. What about the victims? Disappointing panel answer reflecting lack of awareness that cancel calls are a form of advocacy for victims AND other survivors. Victims an afterthought in today's discussion
Audience Q&A is frustrating. Question: Isn't it bad to edit racism from past works, such as in Huckleberry Finn, when those works reflect "the values of their time"? White people who think racism was at one stage acceptable are enacting whiteness. Panellists did not pick this up!
Question: maybe "tortured artists" need to go through "darkness" to produce great art? Ashleigh Wilson: No - this myth excuses inexcusable behaviour. Applies to veneration of Brett Whiteley given he was addicted to drugs (Disagree. Addiction not same issue as violence, bigotry)
Panel ended. Should've been a greater focus on HOW so-called cancel culture arose & the fact that minorities & White women bear a huge cost of this work, trying to shine a light on power & injustice.
Finally, it is BIZARRE that panellists ignored discussion of Junot Diaz given
1/ He's a writer. They're all writers. We're at the Writers Festival
2/ Diaz's sexual harassment was exposed at last year's #SydneyWritersFestival by a young Black woman writer, Zinzi Clemmons
Clemmons was shamed by this very audience when she called out Diaz during his talk. As a fellow guest of the Festival, she took a great risk exposing him. The treatment she received at that moment demonstrates why "cancel culture" is not without consequence for those affected
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