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Kristin reflects on the rise of year-round
#Oscars
prognosticating in her latest blog post, and looks at the Oscarmetrics method adopted by @BensOscarMath to understand trends in winners and losers. http://www.davidbordwell.net/blog/2020/01/31/oscars-by-the-numbers/ …pic.twitter.com/Yygz8vGVUDHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
David highlights some of his, Kristin and Jeff’s recent additions to the Observations on Film Art series, available to watch on
@criterionchannl http://www.davidbordwell.net/blog/2020/01/31/vampyr-and-more-on-the-criterion-channel/ …pic.twitter.com/mLNlWh1f62
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What impact does streaming have on studying film as an art form? David offers some potential perspectives on this topic in his newest blog post. http://www.davidbordwell.net/blog/2020/01/22/when-media-become-manageable-streaming-film-research-and-the-celestial-multiplex/ …pic.twitter.com/h4CEIO3tKV
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Kristin assesses trends in 2019 box-office revenues, following up on her previous blog on the supposed box-office slump. http://www.davidbordwell.net/blog/2020/01/17/so-was-there-an-actual-box-office-slump-in-2019/ …pic.twitter.com/3Hx8NRIo6i
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Bordwell&Thompson proslijedio/la je Tweet
In the latest episode of OBSERVATIONS ON FILM ART,
@ObserOnFilmArt examines the deeply strange horror film VAMPRY, which uses popular material as a springboard for innovations in mood and technique.https://www.criterion.com/current/posts/6771-carl-theodor-dreyer-s-most-unusual-experiment …Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Bordwell&Thompson proslijedio/la je Tweet
In this new episode of OBSERVATIONS ON FILM ART,
@ObserOnFilmArt explores how Carl Theodor Dreyer honored the conventions of horror cinema while breaking the boundaries of the genre wide open through his use of sound, shadows, & camera movement in VAMPYR:http://criterionchannel.com/vampyr-the-genre-film-as-experimental-film …Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
For his first post of the new year, David takes two recent releases—MARRIAGE STORY (2019) and LITTLE WOMEN (2019)—and unpacks the narrative strategies employed by the filmmakers.
#MarriageStory#LittleWomenMovie
http://www.davidbordwell.net/blog/2020/01/09/un-marry-me-a-little-marriage-story-and-little-women/ …pic.twitter.com/vtW8ba5qIFHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Bordwell&Thompson proslijedio/la je Tweet
Pabst, Hitchcock, Eisenstein, Vertov, Dovzhenko, Buñuel, von Sternberg, Borzage, King Vidor… Kristin Thompson (
@ObserOnFilmArt) on the best films of 1929: http://www.davidbordwell.net/blog/2019/12/26/the-ten-best-films-of-1929/ …pic.twitter.com/LTbBXCqVpz
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Kristin closes out the 2010s with a look back (90 years to be exact) at the top 10 films of 1929. What films and filmmakers made the list? Check out the photo below for a hint and click the link to read the full list. http://www.davidbordwell.net/blog/2019/12/26/the-ten-best-films-of-1929/ …pic.twitter.com/12DeUMo1dg
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For his final post of the year, David takes on the high-octane thrills of DIE HARD (John McTiernan, 1988), dissecting elements of plot structure, anamorphic staging and intensified continuity editing. http://www.davidbordwell.net/blog/2019/12/17/not-just-a-christmas-movie-die-hard-on-the-big-screen/ …
#uwcinematheque#chicagofilmsocietypic.twitter.com/pcxkhLGlClHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Bordwell&Thompson proslijedio/la je Tweet
Great master of Japanese cinema, Yasujiro Ozu, was born on this day in 1903! Spend your day with over 25 of his films on the Channel, from classic masterpieces TOKYO STORY, LATE SPRING, & THE FLAVOR OF GREEN TEA OVER RICE to early silents like I WAS BORN, BUT... & PASSING FANCY.pic.twitter.com/EAxpM05wQq
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Kristin continues the world cinema tour of the
@torinofilmfest with SYNONYMES (France/Israel/Germany, dir. Navad Lapid), TRUE HISTORY OF THE KELLY GANG (Australia, dir. Justin Kurzel), and NOURA'S DREAM (Tunisia/France/Qatar, Hinde Boujemaa). http://www.davidbordwell.net/blog/2019/12/01/torino-tour-of-world-cinema/ …pic.twitter.com/fd5eHfg2y7
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David reports back from the
@torinofilmfest on Kantemir Balagov’s BEANPOLE (2019), Anthony Chen’s WET SEASON (2019), Corneliu Porumboiu’s THE WHISTLERS, and the Barbara Steele retrospective. http://www.davidbordwell.net/blog/2019/11/29/women-in-charge-highlights-from-torino/ …pic.twitter.com/JTSbAFLCB6
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David and Kristin tour Turin, including the
@museocinema and the@palazzorealege in preparation for@torinofilmfest. http://www.davidbordwell.net/blog/2019/11/24/torino-images-preparing-for-the-festival/ … Pictured: David comes face to face with the god Moloch from CABIRIA (1914).pic.twitter.com/ImA6byPxOH
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Scorsese vs. Marvel? David wades into the controversy and offers some perspective in his latest blog post. http://www.davidbordwell.net/blog/2019/11/21/captain-cinephilia-scorsese-strikes-back/ …pic.twitter.com/Ayd62qu2CZ
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Attention all wickies! Don’t miss Kristin’s deep dive into Robert Egger’s THE LIGHTHOUSE (2019), which touches on its connections to German silent cinema, its expressionistic lighting, and its experiments with film stock/lenses.
#TheLighthouse http://www.davidbordwell.net/blog/2019/11/12/the-lighthouse-a-period-film-with-period-style/ …pic.twitter.com/7A3k3LBbCsHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
The Lithuanian opera SUN & SEA (MARINA), which won the Golden Lion for Best National Participation at
@la_Biennale, inspires David to think about the limits of cinema and the power of live spectacle in his latest blog. http://www.davidbordwell.net/blog/2019/10/21/beach-blanket-ballads-sun-sea-marina/ …pic.twitter.com/9Hvg9RF03p
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David and Kristin wrap up the
@VIFFest with one more trip around the globe: the films of Danish director Frederikke Aspöck, Palestinian director Elia Suleiman, and French filmmaker Arnaud Desplechin are discussed at length in the newest blog post. http://www.davidbordwell.net/blog/2019/10/10/vancouver-2019-some-final-observations/ …pic.twitter.com/pT5V5pwCpL
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Kristin's latest blog spotlights four films screened at
#VIFF that tackle social problems and the struggles of downtrodden people. Directed by the likes of Ken Loach, Reza Mirkarimi, Melina León, and Kleber Mendoça Filho, these four are not to be missed. http://davidbordwell.net/blog/2019/10/08/vancouver-2019-tales-of-oppression-and-resistance/ …pic.twitter.com/Lxlh0UdVx5
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Still more from
@VIFFest: David discusses the precise narrative construction on display in three films: PARASITE (dir. Bong Joon-ho), BY THE GRACE OF GOD (dir. François Ozon), and LES MISÉRABLES (dir. Ladj Ly). http://www.davidbordwell.net/blog/2019/10/04/the-trim-tight-movie-three-variants-at-vancouver/ …pic.twitter.com/USa2rXYLW5
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