Bordwell&Thompson

@ObserOnFilmArt

Observations on Film Art. Official Twitter account of film scholars David Bordwell and Kristin Thompson.

Wisconsin, U.S.A.
Vrijeme pridruživanja: prosinac 2014.

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  1. 31. sij

    Kristin reflects on the rise of year-round prognosticating in her latest blog post, and looks at the Oscarmetrics method adopted by to understand trends in winners and losers.

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  2. 31. sij

    David highlights some of his, Kristin and Jeff’s recent additions to the Observations on Film Art series, available to watch on

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  3. 23. sij

    What impact does streaming have on studying film as an art form? David offers some potential perspectives on this topic in his newest blog post.

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  4. 17. sij

    Kristin assesses trends in 2019 box-office revenues, following up on her previous blog on the supposed box-office slump.

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  5. proslijedio/la je Tweet

    In the latest episode of OBSERVATIONS ON FILM ART, examines the deeply strange horror film VAMPRY, which uses popular material as a springboard for innovations in mood and technique.

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    In this new episode of OBSERVATIONS ON FILM ART, explores how Carl Theodor Dreyer honored the conventions of horror cinema while breaking the boundaries of the genre wide open through his use of sound, shadows, & camera movement in VAMPYR:

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  7. 10. sij

    For his first post of the new year, David takes two recent releases—MARRIAGE STORY (2019) and LITTLE WOMEN (2019)—and unpacks the narrative strategies employed by the filmmakers.

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    Pabst, Hitchcock, Eisenstein, Vertov, Dovzhenko, Buñuel, von Sternberg, Borzage, King Vidor… Kristin Thompson () on the best films of 1929:

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  9. 26. pro 2019.

    Kristin closes out the 2010s with a look back (90 years to be exact) at the top 10 films of 1929. What films and filmmakers made the list? Check out the photo below for a hint and click the link to read the full list.

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  10. 17. pro 2019.

    For his final post of the year, David takes on the high-octane thrills of DIE HARD (John McTiernan, 1988), dissecting elements of plot structure, anamorphic staging and intensified continuity editing.

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    Great master of Japanese cinema, Yasujiro Ozu, was born on this day in 1903! Spend your day with over 25 of his films on the Channel, from classic masterpieces TOKYO STORY, LATE SPRING, & THE FLAVOR OF GREEN TEA OVER RICE to early silents like I WAS BORN, BUT... & PASSING FANCY.

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  12. 1. pro 2019.

    Kristin continues the world cinema tour of the with SYNONYMES (France/Israel/Germany, dir. Navad Lapid), TRUE HISTORY OF THE KELLY GANG (Australia, dir. Justin Kurzel), and NOURA'S DREAM (Tunisia/France/Qatar, Hinde Boujemaa).

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  13. 29. stu 2019.

    David reports back from the on Kantemir Balagov’s BEANPOLE (2019), Anthony Chen’s WET SEASON (2019), Corneliu Porumboiu’s THE WHISTLERS, and the Barbara Steele retrospective.

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  14. 24. stu 2019.

    David and Kristin tour Turin, including the and the in preparation for . Pictured: David comes face to face with the god Moloch from CABIRIA (1914).

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  15. 21. stu 2019.

    Scorsese vs. Marvel? David wades into the controversy and offers some perspective in his latest blog post.

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  16. 13. stu 2019.

    Attention all wickies! Don’t miss Kristin’s deep dive into Robert Egger’s THE LIGHTHOUSE (2019), which touches on its connections to German silent cinema, its expressionistic lighting, and its experiments with film stock/lenses.

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  17. 21. lis 2019.

    The Lithuanian opera SUN & SEA (MARINA), which won the Golden Lion for Best National Participation at , inspires David to think about the limits of cinema and the power of live spectacle in his latest blog.

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  18. 10. lis 2019.

    David and Kristin wrap up the with one more trip around the globe: the films of Danish director Frederikke Aspöck, Palestinian director Elia Suleiman, and French filmmaker Arnaud Desplechin are discussed at length in the newest blog post.

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  19. 9. lis 2019.

    Kristin's latest blog spotlights four films screened at that tackle social problems and the struggles of downtrodden people. Directed by the likes of Ken Loach, Reza Mirkarimi, Melina León, and Kleber Mendoça Filho, these four are not to be missed.

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  20. 4. lis 2019.

    Still more from : David discusses the precise narrative construction on display in three films: PARASITE (dir. Bong Joon-ho), BY THE GRACE OF GOD (dir. François Ozon), and LES MISÉRABLES (dir. Ladj Ly).

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