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Abigail Nussbaum
@NussbaumAbigail
Blogger, critic, computer programmer. 2017 Best Fan Writer Hugo winner. Mastodon: @abigailnussbaum@tooot.im
wrongquestions.blogspot.comJoined September 2013

Abigail Nussbaum’s Tweets

And honestly, it feels like a waste of the creative team to be following up Chernobyl with this. Don't get me wrong: I see the thread connecting the two stories. But Chernobyl was clearly the more complex, more interesting take on these themes, so TLOU feels like moving backwards
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For all the talk about the show beating the "video game adaptation curse", the real question was whether it could find anything new to do with the zombie genre. And guess what, in 2023, with decade-old source material, five minutes after the end of The Walking Dead, it cannot.
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I gave it a couple of episodes to be sure, but now I'm just going to come out and say it: The Last of Us is a solid, well-made show with engaging characters, but it's nothing special, and I am baffled by all the voices insisting otherwise.
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On the bright side, Puss in Boots 2 is, as promised, surprisingly good (and not just for an nth Shrek sequel). My one complaint is that Puss and his story were the most boring part of the film. I would have preferred a movie about Goldie and the Bear family, or Perrito the dog.
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Catching up with the best animated film Oscar nominees, and dear lord, The Sea Beast is shockingly bad. Slow, flabby script, barely-there characters, thin attempts at humor, a hopelessly muddled message, and bizarrely boring creature design. A colossal failure on every level.
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Every time twitter fucks up its service my Mastodon follows pick up, so the fact that they've been pouring in today should give you a sense of the wisdom of this new policy.
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Starting February 9, we will no longer support free access to the Twitter API, both v2 and v1.1. A paid basic tier will be available instead 🧵
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Those who stoked the frenzy about "wokism" are remarkably silent about actual state censorship and punishment. And this being done by the man many in media cover as a legitimate presidential candidate.
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If Florida, teachers are advised to hide their books to avoid felony charges. At one school, “the kids began crying and writing letters to the principal, saying, ‘Please don’t take my books, please don’t do this.’” washingtonpost.com/education/2023
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Five months ago it was a 60-word tweet, now it's a 6,000-word essay in . Inflation, eh? strangehorizons.com/non-fiction/in
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For books that have a linear past-present-future structure (so like The Bone Clocks, rather than CA), how about "overshoot novels"? Covers both narrative momentum and plot trajectory (v rare for the future to be better in such books) twitter.com/niallharrison/…
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the hilarious thing about this is nobody who's mooching will choose to pay now, but people who are using legitimate accounts will no doubt run into myriad technical difficulties that will piss them off enough to cancel their accounts, others will cancel just cause fuck netflix
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Netflix’s has introduced their anti-password sharing method: Once every 31 days, your device must log in on your home Wi-Fi network or your account will be blocked. (via: thestreamable.com/news/confirmed)
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And the whole bit where Frank wants a community and Bill is fine with having one person... did they really stop with Joel and Tess? Just in general, these were two very different people who would never have hooked up in the old world. Might have been interesting to get into that.
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Like, Frank can protest all he likes that he's not a whore, but the relationship absolutely starts out transactional. Might have been interesting to see how it grew into something more, and how difficult that might be when your life depends on being a good boyfriend.
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This week's vaunted The Last of Us episode was good, but I don't know - feels like, especially in an outsized episode, there was space to go a little deeper into this relationship. Make it a bit more complex and thorny.
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Every piece of information The Last of Us reveals about the outbreak makes less sense. "The fungus spread in the food." You mean the food you guys are still eating?
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Happy Valley is 90% the most thoughtful, unsensational cop drama you've ever seen and then the other 10% are James Norton playing an unkillable monster who keeps showing up to torture the heroine like Jason from Halloween.
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Dental hygienist: not much to clean here. You've done a good job since our last appointment. Me: this is great. I'm going to get a good grade in dental hygiene, something that is... wait, that's actually a totally reasonable attainment, and I have *done it*. WITNESS ME.
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Have spent the last forty-five minutes on the phone with an elderly relative, walking her through editing a PDF on her smartphone. This is either penance for some egregious sin, or banking up mitzvot until at least the end of the year.
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Obviously, the "right" way to campaign for an Oscar nomination is to throw lavish, studio-funded parties where the star glad-hands voters and hands out suspiciously expensive gifts. A grassroots campaign by people who genuinely loved the movie is just not on.
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Pedro Pascal is giving me really strong Mal Reynolds vibes in The Last of Us. Makes you wonder if that was in the mix when Joel was being created for the original game.
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To be clear, I'm not saying Avatar 2 is a bad movie - it's slightly better than the first one, and anyway bad movies get nominated for best picture all the time. But it's unremarkable, except for its pedigree and box office, and neither are a good enough reason to nominate it.
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Plus, Avatar was genuinely innovative on several fronts. Avatar 2 is not. Its visuals are pretty standard at this stage, and there were multiple movies in 2022 - Prey, The Woman King, RRR - that trod similar thematic ground, and usually much better. There's no added value here.
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The talking point that Avatar has no cultural footprint wasn't true at the start. We spent months talking about it: the technology, the politics, the world. Avatar 2, meanwhile, opened, a lot of people saw it, and then we all just kind of... moved on. The Oscars should have too.
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Genuinely baffled by the best picture nomination for Avatar 2. Feels like Hollywood penciled it in on the assumption that it would be a major cultural event, and failed to notice that all it did was make a lot of money. At this point, it's like nominating a Fast & Furious movie.
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I'll permit myself one Oscars 🔥 take: it's a bit surreal that the most visually creative American pic of the year, made by an Oscar-winning director and featuring huge stars, was never even mentioned. But, given what it says about the industry and its history, also unsurprising!
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