You are really over-reading this one, New Yorker.
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Seriously.
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“Ernest goes to Jail” is an inherently reflective work embodying the dramatic self conscious imagery of Kuberick’s earlier work whilst also promoting a nihilistic Neo-liberalists version of 1950s French cinema.
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What fucking movie did you watch...?
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Yes, it is ideal to have a gun when fighting murderous fictional aliens in order to save your family. Needless, pandering, bullshit analysis of
@johnkrasinski ‘s sublime film.Thanks. Twitter will use this to make your timeline better. UndoUndo
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Ummm. It's a horror movie. Pretty sure the monsters aren't a metaphor for the politically correct.
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Is the sand that they put down supposed to represent the secret blue collar code of walking softly around effete snobs? Because if so, that's even more terrifying. But, then again it's probably more about having annoying children than having embarrassing political views.
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Is this a joke?
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... .... ..... ...... ....... ........ ......... what?
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Are you high?
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Shhhhhhhhhh.......
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This movie takes place in a world where guns are an absolute last resort, because if you use one, you will die immediately.
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Has The New Yorker always had trash opinions or is this a recent thing?
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Excuse my language, but how the fuck did you get that from this movie?
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THAT SENTENCE MEANS NOTHING
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