Anthony Lane on “Call Me by Your Name,” a sensuous film that evokes the transformations of young love: http://nyer.cm/RZa4UZC pic.twitter.com/eHupMJ9qAn
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Anthony Lane on “Call Me by Your Name,” a sensuous film that evokes the transformations of young love: http://nyer.cm/RZa4UZC pic.twitter.com/eHupMJ9qAn
.@tnyfrontrow on the empty, sanitized intimacy of “Call Me by Your Name”: http://nyer.cm/V8Y4vyr pic.twitter.com/BaLJpyjEm7
Anthony Lane on Steven Spielberg’s ode to journalism, “The Post”: http://nyer.cm/pwEn5RM pic.twitter.com/HrXB9TbSg5
.@tnyfrontrow on “Dunkirk,” a war movie about patriotic ciphers: http://nyer.cm/bX8SRJM pic.twitter.com/kWiZMHZppR
Anthony Lane on “Darkest Hour” and why actors love to play Winston Churchill: http://nyer.cm/VaHJDcl pic.twitter.com/95QhCcMypa
Brandon Harris on the giant leap forward of Jordan Peele’s “Get Out”: http://nyer.cm/fsfAhIH pic.twitter.com/nlrlu9edv8
Anthony Lane on “Three Billboards Outside Ebbing, Missouri”: http://nyer.cm/pqMmzgE pic.twitter.com/TPlm3JpivX
.@tnyfrontrow on Greta Gerwig’s exquisite, flawed “Lady Bird”: http://nyer.cm/yO7Gvqq pic.twitter.com/2HXlyDi7BY
Anthony Lane on “Phantom Thread,” a film about clothing, sewing, driving, the risk of love, the exercise of power, and, above all, breakfast: http://nyer.cm/jC53JuE pic.twitter.com/oqqp9Y9DC5
Anthony Lane on the genre-fluid fantasy of “The Shape of Water”: http://nyer.cm/Haf0mST pic.twitter.com/ArJN2k5l9w
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