Your approach dangerously omits to discern between • the inherent formal qualities&artistic merits of fascist-era monuments in the context _
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_ of the Rationalist architectural current and • the ideological layer of fascist propaganda which incidentally hijacked those masterpieces.
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This cultural blindness has much in common with the destruction of the Buddhas of Bamiyan and the monuments of Palmyra.
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I wouldn't have ever imagined that your editors could publish such a surprisingly out-of-touch, insensitive article.
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Shall we destroy the Château de Versailles too? Because Louis XIV did exploit his people in his time?
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Because, uhm. We don’t have just statues? We have actual buildings people work in. Train’s stations. It’s not like we can blow ‘em up.
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Come al solito gli Americani non capiscono un cazzo
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This article is disgusting and misleading. Full of rage and prejudice. I bet author knows a very little bit about Italian art and history
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@NewYorker, this article is an absolute mess. You're an institution. Do better.Thanks. Twitter will use this to make your timeline better. UndoUndo
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This article represent perfectly the typical intellectual poorness of a radical chic magazine, made for WASP playin' "the democrats".
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because they are good things in art
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Il problema, in Italia, è che i conti con il fascismo non sono stati fatti fino in fondo.
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Concordo, ma l'incapacità di distinguere l'architettura dal regime è culturalmente pericolosa e potenzialmente criminogena.
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(lo dico da liberale progressista che schifa profondamente il fascismo e i rigurgiti neofascisti)
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Questa rivista è migliore come carta igienica
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shall they raze Milano Centrale?!