Our staff writer Hilton Als has won the 2017 @PulitzerPrize for Criticism. Here are some of his stories: http://nyer.cm/vXgOgM3 pic.twitter.com/Gt9Ryr5xvC
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Our staff writer Hilton Als has won the 2017 @PulitzerPrize for Criticism. Here are some of his stories: http://nyer.cm/vXgOgM3 pic.twitter.com/Gt9Ryr5xvC
Hilton Als on John Doyle’s fresh and vital revival of “The Color Purple”: http://nyer.cm/hn0NjPq pic.twitter.com/1U4iNWLLnR
“2666,” Roberto Bolaño’s phantasmagoric and reportorial novel comes onstage in Chicago: http://nyer.cm/e5f8Dif pic.twitter.com/iA8meXmlW9
Down and out in Eugene O’Neill’s “Hughie”: http://nyer.cm/YdcoKHp pic.twitter.com/fQIIJWEOe4
A marriage of cultures in Danai Gurira's “Familiar”: http://nyer.cm/nCnbUBQ pic.twitter.com/YaCz8pcZsF
Revisiting the traumas of the past in “Blackbird”: http://nyer.cm/B18JWG7 pic.twitter.com/gdp3fttyKB
Recriminations and regrets in Eugene O’Neill's masterpiece, “Long Day’s Journey Into Night": http://nyer.cm/9VOcvjv pic.twitter.com/k7XBCrDdwy
“Oslo” and “Small Mouth Sounds” raise questions about the value of speech in storytelling: http://nyer.cm/bCNo4Sp pic.twitter.com/wP0qHW3Dxz
Life, death, and telling all, in “Duat,” “A Life,” “The Front Page,” and “Falsettos”: http://nyer.cm/MdYgy1j pic.twitter.com/fphM4fJiGc
In "Sweat," Lynn Nottage and Suzan-Lori Parks make the recognizable unrecognizable—they make it art: http://nyer.cm/cA5pC5g pic.twitter.com/gdZ1Sv0CAj
.@DearEvanHansen is a profound evocation of how the need to belong can be as ugly as the need to exclude: http://nyer.cm/LRZDVUb pic.twitter.com/fLYQF7jYdM
nice bait and switch following try lol
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