Badiou is a big fan of Armageddon
This is what I call in a tongue-in-cheek manner, elite modernism. With Proust you get the moaning of characters, with Zola you get plot vs character storylines. It's the plot in Ben Singleton's sense that makes ultra-modern blurring of what is mundane and what is cosmic.
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Bazin was the guy to write about that in cinema (and his style was mundane and cosmic at the same time). Btw, I totally understand if he doesn't, but does Singleton still write (can imagine he implements theory with his strategy firm)?
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Ben is still writing, mostly shortly pieces.
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