Actually Hitchcock is a good example of an impersonal director, soulless as Bergman once put it which I absolutely love. Herzog is just full of beautiful soul which makes me nauseous.
If it doesn't come from an unwavering psychic and personal fire, you will never do it well. But such issues should be kept in their respective contexts and not stretched out to one another.
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i.e. you can still be a hopeless romantic and someone who vomits at the sight of mawkish ridicule of impersonal methods.
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And rewriting your autobiography to the point of becoming Baron Munchhausen is utilizing impersonal methods too.
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And that's certainly something that is valid for Herzog too. At least for the periods of his work I hope I will love to rewatch.
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