Night 14 Double-feature: Human Meltdownpic.twitter.com/CRcus6XbbK
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Creator of a blunt object known as Intelligence and Spirit https://tinyurl.com/s7e226j (Urbanomic/Sequence).
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I'm looking for redemption for having skipped yesterday's double-feature. So, here's a triptych. - Le Mépris: the tragic essence of human relationships. - Knight of Cups: the dawn of the foundations of human existence. - Nuestro Tiempo: the ferocity of collapse. A masterpiece.pic.twitter.com/2Rg8fYS7Rm
Contempt is perfection incarnate: you get Moravia in his most skillful moment, you get to see Brigitte walking on the stairs of house Malaprte before it got all salt and fungus infested.
I watched The Testament of Dr. Mabuse yesterday, what a movie. There is a scene where you see the gun shots in the dark. That's just Hollywood at its most avant-garde. Screw Tarantino's gun fights.
Tarantino exploits people's ignorance of the history of cinema. I have tons of examples which testify that he's basically proposing a sort of pop version of old-movies scenes.
The same thing about Gaspar Noé but at least he is upfront about this. A friend told me that he came to EGS unprepared holding a few CDs. He said guys let me show you where Irréversible came from.
Hahaha. Noé is definitely smarter than Tarantino. I haven't watched his entire filmography, but still...
Irreversible is not bad but do I need to watch Climax after Love and Enter the Void?
I have watched Climax, but I'm still a bit confused. I don't know what I could get from this endless and mannerist ostentation of an orgiastic exhibition (of what?). It seems like he wants to explore different languages because he's nothing to say...
An excellent way to sum up that movie.
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