I generally stay aloof from the media world I contribute to, and there are both costs and benefits. A cost is that I miss out on networking (though I share contacts on here) but a benefit is missing out on having to feign bonhomie or claiming I love someone’s work bc I know them
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The unspoken thing, in both journalism and academia, is that people will promote each other’s work without reading it — this is the common practice. Because if you read some of this stuff, you might engage critically with it, and then you’d be less effective at selling it
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I’ve been told many times that so and so is “the leading person” on XYZ or “essential” & then I do the thing you’re not supposed to do, I read the work, & it’s either piffle or a mash up of conventional, thinkable thoughts. But if I do read something good, I sincerely endorse it
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Replying to @MoustacheClubUS
This happens so much in Big Poetry World. All the networking-subjects share one another's work, and the work is always "luminous," "much-needed" or "absolutely devastating," without fail
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Shut down the Poetry Foundation!
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