The key to understanding my writing career is realizing that I’ve written for the Atlantic and the Paris Review without ever reading them
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I remember in grad school people being excited about this historian or that one but I had a brother who could pull an engine out of a truck and get it into a boat and get us out on the Roanoke River that same day, so I dngaf. The paychecks for history prof were so-so
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You make it sound like that’s a bad thing...
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I think it's a great thing! It's worked out for both of us, in different but related ways
End of conversation
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