contributing writer @wearemel, @ringer, & @splicetoday. seen in @theatlantic, @parisreview, &c. repped by @inkwellmgmt. co-host of @whatisleftpod 
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David Lynch movies are not just terrible but interminable, which is what makes them works of genius: at various points people who ultimately can’t stand how slow paced and dreadful these bizarre slogs are will renew their interest in them, only to abandon them after a few weeks
Painful, throbbing banality that tricks the smart set into periodically claiming it is brilliant, even if they can’t finish them and can barely remember the point of the major set pieces in Wild at Heart, Blue Velvet, and (especially) Twin Peaks, which briefly went mainstream
Great stuff, truly, and the best way to package bland Americana, cliched dialogue, and alienating sound editing...there seems to be no demand for this stuff, and yet, from time to time, there is
"Wild at Heart" is pretty fuckin' good
It's one of the best worst movies I've ever seen, with memorably horrible performances coaxed out of every actor involved.
oh i watch them, i watch the heck out of them
This is true except for Lost Highway, which is a straight up Kenneth Anger style Art Film.
a fine Robert Loggia performance and one hell of a Henry Rollins cameo
Oh brother, @EminaMelonic and @nickyotissmith will have a beef with this one.
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