Value control is the unsung hero of many artworks. Color takes credit for it, but it's value that's doing the hard work.
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Here’s an interesting experience in black and white. Olafur Eliasson’s chromatic light tunnel at the MFA Houston. When you’re in it, you can’t see color anymore (except for the yellow from the lights) That’s my blouse and it’s actually purple and pink.pic.twitter.com/UM9xdYFT1q
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I’ve been playing with b&w film more recently, and I don’t know why exactly but it seems much harder to get a colour photograph to look good Think it’s because you don’t have to worry about colour harmony, places salience on the values eg: Adams vs Meyerowitz zones systems
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I’m still pondering what Sarah describes here about her experiments with colour and the effect of luminosity in arthttps://twitter.com/misen__/status/1338799542855217152 …
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