Inability to make sizes of the parts you’re drawing proportionate to each other—whatever you focus on has out-of-scale importance and relation to the whole is lost. Eyes are represented as larger than life, since we attribute more importance to them emotionally speaking.
-
-
A lot of people think intuition / loose painting = just waving your brush around and literally speeding up, this rarely is the case (at least at first). Being slow and deliberate, without that deliberation turning into cognizing and making the process a checklist is tricky
Show this thread -
The hardest part, and a more universal lesson, is that the left brain inhibitor is almost always tied to the emotional pain of perfectionism, failure, etc.
Show this thread -
Most of the good artists I saw at the school just didn't give a fuck about steamrolling through the bad beginner phase and got valuable experience out of making stupid mistakes. They participated in communities early to get feedback and make connections with other artists.
Show this thread -
I'll end with a story from Art & Fear that always inspired me. Although I'm not sure if it is directly relevant to left-hemisphere inhibition, it may be helpful to youpic.twitter.com/BrtjBDw8Dv
Show this thread
End of conversation
New conversation -
Loading seems to be taking a while.
Twitter may be over capacity or experiencing a momentary hiccup. Try again or visit Twitter Status for more information.