We players of bowed string instruments should show our gratitude to our bows for allowing us to control growth and decay on long notes, by never playing any long note lifelessly - ie with unvaried intensity and volume. These notes are always going to or from somewhere,or arriving
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My first cello teacher could do a major 6th. She’d do this insane growling glottal stop/warble and then it would split, suddenly, into a perfectly in-tune 6th that she could move a few steps. Total witchcraft. I miss her.
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