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3/ Also, the proliferation of β€œperfect #sketchnotes” cause some first-time sketchnoters to think their work is bad or that it will never live up to β€œso-and-do’s” work... and that makes me sad. Sketchnotes are personal to the person who did them....
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4/ ... so the purpose of #sketchnotes is loosely defined & then stretched to include informational illustration, or graphic recording, or graphic facilitation (each of those are structured & valid methods of communicating with visuals) and cause people to fight and disagree...
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5/ ... and then (as a result) #sketchnotes gets harped on and relegated to pauper status and unwanted in the visual community, when all it wants to be is fun, informational, personal, and focused. Or it’s transformed into something only certain people can do...
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6/ ... and well, anyways, I’ll end with this: At the #ISC18lx, I gave a talk called β€œEverything is Beautiful: The Search for the Ugly Sketchnote” were I posed the question of what a Sketchnote is supposed to be. Watch it if you’d like to. youtu.be/1JV0YZGBMnY #sketchnotes
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... by the way, I really love your style of drawing: the variable line weights are so nice and so interesting (as are the simple colors and shading). I’m a fan. πŸ‘πŸΌ
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2 / (also had no idea there was a whole sketchnoting camp!) I live in the bubble of programming + illustration, so am a foreigner to sketchnote-land and its major debates. Made me rethink how loosely I use the term 'sketchnotes' – always considered it a catchall for visual notes
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3 / 'sketchnotes' has always worked as an easy touchpoint in conversation – a way to talk about the work that's moderately well-known. Mostly because we lack better words to differentiate between mediums and intentions...
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like for plain notes everybody has his style and processes. My interest is how people use visuals for thinking and how said visuals are reused, refactored as thinking goes. Having more people making visuals vs consuming them only would be great. Emojis and icons is a start
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