Liana AghajanianOvjeren akaunt

@LianaAgh

Journalist | winner| Iranian-Armenian-American refugee alien | Underreported People & Issues | Repped by |liana.agh@gmail.com

Detroit via L.A via Tehran
Vrijeme pridruživanja: srpanj 2008.

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  1. Prikvačeni tweet

    An essay I've been waiting to write for a lifetime: the power of Ferrero Rocher and how for immigrants, whether they were from Libya, China, India or Iran, it came to define social and economic aspirations in a way no other food item could

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    prije 3 sata

    January has been a difficult month of existential reflections but I just reread this and felt at home. Our diaspora's may be a result of many forms of violence but the resilience of our communities have created so much beauty. Thank you for this

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    Fascinating and refreshingly multifaceted piece by about the history, politics, and style of the headscarf, highlighting the perspectives of the diverse women who wear one.

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  5. Good to know I’m attracting a diverse crowd at least 😂

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  7. goodbye forever January 2020, and also goodnight habibis, I'm going straight back to 1996 and staying there

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    Shakira was all we had for the longest time. Every Middle Eastern American, especially Lebanese, pointed to Shakira as the one entertainer with massive global appeal and popularity. To have our culture and our rhythms represented up there, even in the smallest way, is massive

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    prije 23 sata
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  11. Good afternoon I’m at the mall with all the other immigrants who never caught on to love or understand American football

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  12. “The people of L.A. hold public memorials and all-day vigils. Angelenos also mourn with personal displays: tattoos, window decals on vehicles and most of all, T-shirts. They are a wearable memorial.” By

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  13. Anyway, the bottom line is let people wear what they want 🙃

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  14. "The headscarf has been banned, made mandatory, hailed as a symbol of religious virtue, accepted as a means of controlling female sexuality, and politicized by governments and colonizers across the world."

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  15. For Racked, I once wrote about the complicated history of headscarves: Since ancient times, across so many cultures and for many reasons, women have covered their hair-an act tied up in competing notions of freedom and oppression

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  16. Words can’t describe how much I miss the mediocrity of Souplantation

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    1. velj
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  19. Alison Saar’s work focuses on African diaspora and Black female identity. “Blood, Sweat, Tears” at the Detroit Institute of Arts

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  21. being on twitter this week has taught me that some of us come from traditions where centering respect in relation to death is very important, and some of us do not.

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