Happy Friday! So much information coming out of the @netflix event in Rome. I'm told by my friends and colleagues that the level of excitement and anticipation for #Witcher
was crazy! Let's sort through it...
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EIGHT EPISODES. Yes! I know, I know, it may not seem like enough for you, but creatively, it's the right call. The episodes can be tight, action-packed, rich in character and story, without lagging in the middle of the season. Sounds good to me, sound good to you?
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2020. Who knows?! We're moving quickly ahead with everything -- like, my head is spinning around Exorcist-style, except with enthusiasm, not evil possession -- but one thing is certain: quality comes before speed. You'll get it as soon as humanly possible, and it'll be good.
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THE SCRIPT NEEDS POLISHED. I'd take a step back from that to say: the scripts need WRITTEN. I've finished the pilot, which yes, will be polished more when we cast/shoot. The other 7 episodes don't yet exist, except in my head. And guess what? New writers are joining me soon, too!
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WE'LL BE SHOOTING IN EASTERN EUROPE. Yes! This show couldn't exist anyplace else. Period. Also, I just spent ten days surrounded by Slavic eye-candy. I MUST come back, soon.
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ANYTHING ELSE? I'm here. (And no, we haven't cast yet. Don't even try.)
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Why not in GC, putting the Cd Project staff on the project?
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One, because the staff of
@CDPROJEKTRED is incredibly busy (#Cyberpunk2077!) but also -- they're video game creators. We're television creators. They're very different forms, and very different adaptations of the same source material. - 1 more reply
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I absolutely think the witcher will be the next GoT. How about the soundtrack.
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If there is a thing that should be just copy-pasted from the video game - it`s music.
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Thank you. Take literally as much time as needed. I'd rather wait longer so that something can develop properly. Plus with eight episodes, they gonna have to hit hard and on the right notes.
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That's acceptable with the hopes of getting the final product that this characters deserves. ¿What could rush the production in a bad way? Production costs? Executive decision? How can the creative force fight for his work?. Too many question
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