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@kurocyouART

Giulia | '94 | 🇮🇹 | Illustrator & Concept Artist | Critter | Patreon: Contact: giul.valentini@gmail.com

Italia
Vrijeme pridruživanja: studeni 2016.

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  1. Prikvačeni tweet

    Hello ! I'm Giulia, 2D artist from Italy working in a game studio. I work in various styles but I mostly love painting characters portrait and fantasy scenes...and using cold colors! 💜 🌸 🌸 📨giul.valentini@gmail.com

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  2. oh my, the pics are super blurry I apologize

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  3. Gotta show you my character dice palette! Fley and Fael are completed, I need more dice for Orion tho

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  4. proslijedio/la je Tweet
    26. sij
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  5. so last episode uh you didn't hold back with the epicness (please give me more I need more)

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  6. bump!

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  8. le me: has absolutely no animation training whatsoever. le me: I'm gonna try to do walk cycles for that soldier poet king animation meme

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  9. proslijedio/la je Tweet
    24. sij
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  10. I've officially adopted Essek as my baby

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  11. so... (with and without trashy elf-ears)

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  12. 9. sij

    I finally watched Frozen II and I really enjoyed it! I downright... Hated the first one so it's a big change lol.

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  13. 6. sij

    Baby boy, baby VS evil

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  14. 6. sij

    First Fael of 2020 :3

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  15. 4. sij

    I want to feel like a person that exists outside of making art. This is my main 2020 goal. ♥

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  16. 4. sij

    I want to get back studying to improve my art some more in order to land more jobs. Doing more freelance work. I never really followed the art trends for one reason or another, but I always stressed about it. Now I just want to stop thinking about it, and do what feels best.

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  17. 4. sij

    A bit late, but happy new year! My resolution for 2020 is to think more about my mental health. Detach myself from social media a bit, take my time to do things and work on my project without stressing too much about the social response.

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  18. proslijedio/la je Tweet
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  19. proslijedio/la je Tweet
    1. sij

    What really interests me about is how much it feels like a rebuke of algorithmic storytelling. It doesn't explain what it's doing, it trusts the audience to figure out for themselves their feelings for the characters, it values its rough edges as much as its polish.

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  20. Bump!

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