3/ First, situation comedies are stories about particular casts of characters. The entourage must be realistic enough for us to relate in some way, but they cannot be so familiar as to be boring.
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14/ It is precisely because sitcom social circles are so indestructible that they can be a platform for comedy at all.
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15/ To create imaginary environments where people can say and do ridiculous things to one another, writers require a cast of individuals comprised of personality traits that can perpetually clash and be repeatedly reconciled. This is the recipe of every successful sitcom.
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16/ The point is, on the basis of the group’s guaranteed cohesion, sitcom characters are able to do something that is virtually impossible in real life: be absolutely honest with each other all the time.
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17/ The fictional characters can tell one another what they really think without alienating one another. They can make comments about one another that would fundamentally jeopardize trust in real life. A sitcom’s ultimate caricature is a fictionalized version of honesty itself.
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18/ What endears us to sitcoms? Trust. We are mesmerized by the idea of friends who will remain friends no matter what they say and do to one another. And their vulnerability leads to an fictionalized intimacy on screen that is endlessly attractive to us.
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19/ They are know and are fully known by one another. At the same time, they never need to strategically tweak the truth to risk hurting each other’s feelings. They enjoy 100% openness and 100% acceptance.
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20/ In real life, however, trust is extremely fragile. Actual human beings don’t follow scripts. They are not contractually bound to show up again next week. What you say/do to your real friends matters. It matters a lot. Such is the plight of not living in a television show.
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21/ Sitcoms point out the inescapable psychological dissonance we must navigate in our own relationships: our desire for mutual authenticity balanced with our desire for communal stability.
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End of conversation
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