This could be good: In the 1940s, when Coke defined mass, white America, Pepsi hired Af-Am salespeople and targeted black consumers.pic.twitter.com/59cq6UyWmI
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This could be good: In the 1940s, when Coke defined mass, white America, Pepsi hired Af-Am salespeople and targeted black consumers.pic.twitter.com/59cq6UyWmI
By the early 1950s, black consumers bought Pepsi 3x more than Coke.
In the 1960s, Pepsi placed ads in magazines like Ebony. Many paralleled white ads, but still, they were early to “integration.”pic.twitter.com/lkYuq7086H
These ads created the idea of a “Pepsi Generation,” defining drinkers as part of a youth movement, vs. stodgy mainstream Coke.pic.twitter.com/RsrZUYp5c9
The genius: *anyone* could join the Pepsi generation if you only “think young.” An early example of using “cool” to sell.pic.twitter.com/9PSM6SHIvY
They also sold Pepsi using examples of black success.pic.twitter.com/q0eOO8E3ft
But by the late ’60s, young didn’t wear a tie. So Pepsi co-opted (white) counterculture. You need to watch this ad:https://www.youtube.com/watch?v=n2LJW-2IkQE …
As critic Thomas Frank wrote, Pepsi was “celebrating happy nonconformity and real-life otherness…Both carnivalesque and commercial.”
In ads for black audiences, Pepsi (very softly) co-opted images of black power. Note hair, hands, “rapping.”pic.twitter.com/tOwU9mj35q
By the 1980s, black culture signified cool to everyone--Michael Jackson sold Pepsi to black AND white audiences. https://www.youtube.com/watch?v=po0jY4WvCIc …
But "cool" is hard to pull off, so Pepsi often struggled to express its core identity: “for those who think young.” https://www.youtube.com/watch?v=5fugLhNbwoY …
In the recent ad, Pepsi tried to find cool & saw protests: BLM, Women’s, int’l like Hong Kong? & said “protest is how to think young today.”pic.twitter.com/Axy5q9IH7f
But unlike earlier ads that tried (sometimes awkwardly) to speak *with* audiences of color, this simply appropriated POC.pic.twitter.com/kHEurwat3E
Particularly weird is the racial coding of the wig and lipstick removal. What is the racial transformation going on here?pic.twitter.com/EMschezack
Of course, Jenner appropriated cornrows a few years ago. Why make this callback? http://www.huffingtonpost.com/2014/04/02/marie-claire-kendall-jenner-cornrows-tweet_n_5078924.html …
In sum, it is a typical (if terribly executed) example of corporate messaging in 2017: diversity as commodity, consumption as participation.pic.twitter.com/alwERXe40H
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