Don't have time to write a defense of Sabbath's Theater now, but will point to @LauraTanenbaum's fine piece: http://goldennotebooks.blogspot.ca/2013/03/if-ny-mag-had-asked-me.html …
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"And he couldn't do it. He could not fucking die. How could he leave? How could he go? Everything he hated was here." The ending of Sabbath's Theater. RIP
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OP
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You’re wrong, and I’ll tell you why: it was The Counterlife.
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Counterlife is up there, yes.
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He thought it was his best. I preferred American Pastoral, which was the one right after Sabbath. Swede Levov and Mickey Sabbath, two very different guys.
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I'll join you in fighting whoever disagrees. Sabbath's Theater or bust!
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But — in the spirit of the novel — will you fuck anybody who agrees with you?
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I like self-loathing lechers as much as the next fellow but I'll never understand Mickey Sabbath's appeal.
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I don't see anyone tweeting about The Plot Against America. Am I alone in this?
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