Jack London in Russia, William Wharton in Poland, Donna Leon throughout Europe. American literature looks different in the Old World.
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Let me restrain myself and say that each symphony is an entire conceptual world and I would love to say more but don't want to be pushy.
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Glenda Dawn Goss' book is essential (as an outsider perspective) but there is so much to hear just in the works and I want no prejudice
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Yes. 4 is about the tritone, 5 is about the perfect cadence, 6 is about modality, 7 is about major/minor, but every one has something to it
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