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HeerJeet's profile
Jeet Heer
Jeet Heer
Jeet Heer
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@HeerJeet

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Jeet HeerVerified account

@HeerJeet

1. Writer, The Nation https://www.thenation.com/authors/jeet-heer/ … 2. email: jeetheer1967 at gmail dot com 3. Twitter essayist 4. Drawn by Joe Ollmann

thenation.com
Joined June 2012

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    1. Jeet Heer‏Verified account @HeerJeet 16 Jun 2016

      1. The critical consensus on "Hail, Caesar" is something like this: "entertaining, but fluffy. Minor Coen." Very wrong!

      13 replies 16 retweets 87 likes
    2. Jeet Heer‏Verified account @HeerJeet 16 Jun 2016
      Replying to @HeerJeet

      2. Hail, Caesar is entertaining but far from being light: it's about the competing choices offered by religion, capitalism, socialism & art

      5 replies 11 retweets 64 likes
    3. Jeet Heer‏Verified account @HeerJeet 16 Jun 2016
      Replying to @HeerJeet

      3. Key to the movie is at very end of credits: “This motion picture contains no visual depiction of the godhead." What does that mean?

      3 replies 4 retweets 29 likes
    4. Jeet Heer‏Verified account @HeerJeet 16 Jun 2016
      Replying to @HeerJeet

      4. There are in fact several non-depicted godheads in movie: Jesus (face never shown), studio head (voice on phone), Communist utopia

      4 replies 2 retweets 26 likes
    5. Jeet Heer‏Verified account @HeerJeet 16 Jun 2016
      Replying to @HeerJeet

      5. Every major character in film is caught between competing identities (hence dualism of Lawrence Laurentz name & twin gossip columnists)

      6 replies 1 retweet 23 likes
    6. Jeet Heer‏Verified account @HeerJeet 16 Jun 2016
      Replying to @HeerJeet

      6. Main character Eddie Mannix is torn between capitalism (becoming Lockhead executive) and art (staying in studio)

      3 replies 1 retweet 14 likes
    7. Jeet Heer‏Verified account @HeerJeet 16 Jun 2016
      Replying to @HeerJeet

      7. Other characters are torn between art & socialism. And real religion is given its say as rival to art (movie religion)

      1 reply 1 retweet 10 likes
    8. Jeet Heer‏Verified account @HeerJeet 16 Jun 2016
      Replying to @HeerJeet

      8. Question film asks is can commercial artform like Hollywood filmmaking hold its own against religion, capitalism or utopian politics.

      7 replies 1 retweet 17 likes
      Jeet Heer‏Verified account @HeerJeet 16 Jun 2016

      9. If Hollywood film-making is vindicated in film, it's done not just in narrative but also in digressive pastiches of old films.

      9:07 PM - 16 Jun 2016
      • 1 Retweet
      • 11 Likes
      • Very legal & very cool Pete Keegie T. Miriam Meinders Gramsci Beat, CFA Stephen Persing Ray Radlein Joint Boy's Joints Travis McDermott
      3 replies 1 retweet 11 likes
        1. Pal Calavicci‏ @schwansonly 16 Jun 2016
          Replying to @HeerJeet

          what are u talking about?

          0 replies 0 retweets 0 likes
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        1. Jeet Heer‏Verified account @HeerJeet 16 Jun 2016
          Replying to @HeerJeet

          10. Lots of critics treated the pastiches of old movies as digressions from main action: but they actually justify claims of Hollywood.

          1 reply 1 retweet 11 likes
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        2. Jeet Heer‏Verified account @HeerJeet 16 Jun 2016
          Replying to @HeerJeet

          10. It would be easy to dismiss Mannix as just a glorified business goon (as the real Mannix was!) if not for real joy of the pastiches.

          7 replies 0 retweets 12 likes
        3. Pete Patterson, Spatial Cadet, 𝑥R Dev‏ @OttawaPete 16 Jun 2016
          Replying to @HeerJeet

          I purchased Hail Caesar instead of just renting it knowing it was going to need more than one viewing to appreciate

          0 replies 0 retweets 2 likes
        4. End of conversation

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