14. It's only in the movies within movies -- absurd as they sometimes are -- that characters can express hidden longings & desires.
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Replying to @HeerJeet
15. A few of the characters are closeted gays but their sublimated sexuality finds expression in Channing Tatum dance number.
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Replying to @HeerJeet
16. Here's the Tatum dance number: key example of what is repressed by society finding expression on screenhttps://www.youtube.com/watch?v=s3JM6DQOiKI …
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Replying to @HeerJeet
17.
@DouthatNYT saw film as offering appreciation of Catholicism & Studio System. This is subtly wrong.1 reply 1 retweet 8 likes -
Replying to @HeerJeet
18. It's true that both Catholicism and Mannix as Studio System manager are treated with respect & empathy. But.
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Replying to @HeerJeet
19. But: look at the title: "Hail, Caesar!" Mannix and the Studio System are Caesar: i.e. the alternative to Christ.
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20. Marx: religion is the opium of the people. Coen Bros: religion has nothing on Hollywood, which is a much more potent drug.
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Replying to @HeerJeet
21. The character of Mannix is interesting because he's a rare example of a sympathetic version of recurring Coen type: Man Behind the Desk
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Replying to @HeerJeet
22. I think it was Roger Ebert who noticed that Coen Brothers often feature this type: imperious boss who sits behind a desk.
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Replying to @HeerJeet
@HeerJeet According to@andygreenwald@ChrisRyan77 he's joined by dopey male lead and intrepid competent female in many of their films.1 reply 0 retweets 0 likes
@Namasteve @andygreenwald @ChrisRyan77 I agree with that analysis.
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