4. Crane was a also a pivotal figure in American popular culture, although again the extent of his impact largely forgotten.
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Replying to @HeerJeet
5. The early American comic strips were all either slapstick pratfall humor (the Katzenjammer Kids) or fantasy (Little Nemo).
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6. Crane, along with Little Orphan Annie creator Harold Gray & Gumps creator Sydney Smith, was pioneer of sequential adventure strips.
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8. Crane's Wash Tubbs and Captain Easy were rousing pulpy adventures set in imaginary exotic lands, Indiana Jones avant la lettre.
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9. Crane had a seminal influence on all sorts of cartoonists ranging from Walt Disney, to Charles Schulz, to Joe Shuster, to Milton Caniff
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Replying to @HeerJeet
10. Crane was the pathfinder who opened up comics to slam bang action adventure. Without him impossible to imagine superhero genre
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11. Look at Joe Shuster's early drawings of Superman -- his whole face, squint and all, taken from Captain Easy, as is body.
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Replying to @HeerJeet
12. So how did this basically pulpy cartoonist get entangled with American machinations in Iran? Read my article to find out!
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13. I didn't go into this in the article but the timing of the Crane's strip, its content and actual 1953 Iran coup suspicious.
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Replying to @HeerJeet
14. Some backstory. In 1951 Iran democratically elects Mohammad Mosaddegh, a secular progressive who wants to nationalize the oil industry.
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15. Anglo-American interests immediately started to destabalize Moaddegh's government, although CIA doesn't push for coup till 1953.
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Replying to @HeerJeet
16. According to at leas some Iranian accounts, one of the hotbeds for anti-Mosaddegh agitation was Point 4, the USA development agency.
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Replying to @HeerJeet
17. A Cold War liberal with populist sympathy for idea of development from wide travels in poor countries, Crane sympathetic to Point 4
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