2. There's a subtext that runs through many, perhaps all, of the Coen Bros. movies: the defeat of the American left in the 20th century.
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Replying to @HeerJeet
3. To situate the Coens historically, they are late-born hippies who started making films in decade Left was defeated by Reagan & Thatcher.
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Replying to @HeerJeet
4. Why does Hi in Raising Arizona keep robbing stores? Because that "sumbitch Reagan" is in power.
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Replying to @HeerJeet
5. Barton Fink: about a Popular Front dramatist co-opted, humiliated, and finally squashed by Hollywood studios.
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6. MT
@BenjySarlin "Your revolution is over, Mr. Lebowski! The bums lost!" -- The Big Lebowski to his namesake, the Dude.5 replies 4 retweets 10 likes -
Replying to @HeerJeet
7. "Inside Llewyn Davis": like Barton Fink, the marginalized artist but working in an even more aridly post-political world.
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Replying to @HeerJeet
8. What's notable about "Inside Llewyn Davis" is the folk scene is strangely de-politicized, at variance with the actual history.
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Replying to @HeerJeet
9. Davis's depoliticized or post-political folk explains why the seaman's query about if he's a Shachtmanite flies over Davis' head.
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Replying to @HeerJeet
10. Also, in "Inside Llewyn Davis" other great pillar of left solidarity--trade union movement--taken over by labor bureaucrats.
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Replying to @HeerJeet
11. In "Oh Brother.." we see folk music being co-opted by rightwing populism ("friend of the little man" -- a midget).
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12. The less overtly ideological films show the idealist facing grim reality .
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Replying to @HeerJeet
13. Tom Regan in Miller's Crossing not much of an idealist but even he has to abandon minimal commitment to avoiding violence. "What heart?"
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Replying to @HeerJeet
14. I could go on. Trust me, I could go on. But let's talk about the meaning of Jeffrey Lebowski.
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