22. Crass commercialism dept: for more on Mouly & the New Yorker, read this fine book: http://www.chbooks.com/catalogue/love-art …
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Replying to @HeerJeet
23. Crass commercialism, part 2. There is a Spiegelman show going on in Toronto: http://www.ago.net/art-spiegelmans-co-mix-a-retrospective … Worth a visit!
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Replying to @HeerJeet
24. Spiegelman is interesting conflicted about Crumb's use of racial stereotyping, in ways relevant to Charlie Hebdo.
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25. Spiegleman accepts (rightly I think) that Crumb's early racially charged humor is Swiftian satire -- brilliantly so.
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26. But Spiegelman also recognizes problem with fact Crumb didn't just do Angelfood McSpade a few time. He's kept doing it, again & again.
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27. The shock of Crumb's original Swiftian satire becomes something different when repeated too often: becomes a fetish and a style.
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28. I think what is true of Crumb is also true of Charlie Hebdo: the anti-racist intent of shocking images blunted & reversed by repetition
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29. Shouldn't need to be said: to develop critique of Crumb & Hebdo is not at all to condone the vile murders & attacks on speech.
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20. Criticism has real role to play in helping understand toxic images and also in detoxifying them.
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31. Northrup Frye: Censorship is to criticism what lynching is to justice.
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32. I can never learn how to spell Northrop Frye's name.
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Replying to @HeerJeet
33. Criticism itself has a fraught relationship with cartooning. Crumb (and many other cartoonists) often hypersensitive to criticism.
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34. Of course all artists have fraught relationship with critics. But I think cartoonists even moreso than most.
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