9. By combining reprinting plus critique, Spiegelman showed path out of this problem: bad speech has to be answered by more speech.
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Replying to @HeerJeet
10. Refusal to reprinting offending cartoons creates all sorts of paradoxes. Among other things, they imbue forbidden images with more power
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Replying to @HeerJeet
11. A cartoon you're not allowed to see is like the name of God you aren't allowed to pronounce. It acquires the dread of the sacred.
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Replying to @HeerJeet
12. Spiegelman's superb essay underscores something that is often forgotten: aside from being a cartoonist, he's super-smart critic.
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Replying to @HeerJeet
13. Spiegelman's essay also reminds us that there's a longstanding cross-pollination between USA underground comics & French cartooning.
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Replying to @HeerJeet
14.Crumb's work was quickly translated into France and gave bolt of energy to French radical cartooning, which was on the rise.
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Replying to @HeerJeet
15. It's hardly an accident that Crumb and his cartoonist wife Aline (every bit as outre as he is) now live in France.
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Replying to @HeerJeet
16. Nor is it an accident that another famous underground cartoonist, Gilbert Shelton of Freak Bros. fame, is also now in France.
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Replying to @HeerJeet
17. Nor is it an accident that Art Spiegelman, who came out of underground comics, is married to French woman,
@FrancoiseMouly1 reply 1 retweet 4 likes -
Replying to @HeerJeet
18. When Francoise Mouly first saw the Spiegelman-edited Arcade it was very familiar to her: reminded her of French alternative comics.
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19. The controversial covers Mouly publishes on New Yorker are a more intelligent variation of tradition of USA undergrounds & Charlie Hebdo
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Replying to @HeerJeet
20. Consider this Spiegelman cover for The New Yorker http://flavorwire.files.wordpress.com/2013/09/newyorker-with-logo.jpg …
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Replying to @HeerJeet
21. That New Yorker cover seems like a precursor to this Charlie Hebdo cover: http://beta.images.theglobeandmail.com/static/world/charlie_hebdo/kissing_hebdo.jpg …
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