29. With Woody Allen & Polanski you have not so much the mask of fame (although Allen has that) but the aura of the artist.
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Replying to @HeerJeet
30. With Allen, we can leave aside Dylan's accusations and just look at his relationship with Soon-Yi Previn.
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Replying to @HeerJeet
31. By marrying his partners adopted daughter, Allen transgressed a serious moral line.
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Replying to @HeerJeet
32. Allen's actions re: Soon-Yi Previn did harm one part of his fame: hard to accept mask of nebbish, neurotic, hard-done by Woody again.
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Replying to @HeerJeet
33. The Woody Allen character form early movies was sympathetic because of neurotic paralysis. Yet real world Woody was all to decisive.
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Replying to @HeerJeet
34. But if Woody-the-neurotic no longer plausible, he had another mask: Woody-the-artist, who is beyond good and evil.
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Replying to @HeerJeet
35. Middle and late period Woody often explores dilemma of the Nietzschean superman as he tries to transcend conventional morality.
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Replying to @HeerJeet
36. Among his reduced but still sizable body of fans, Woody-the-artist became the default defense. Artists under no obligation to be decent
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Replying to @HeerJeet
37. Polanski offers a parallel case with Allen: the aura of the artist is seen by supporters as reason to discount evidence of wrongdoing.
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Replying to @HeerJeet
38. Since I do think "art" and "life" can be viewed separately, I'm sympathetic to trying to appreciate Allen/Polanski in spite of acts
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39. The estimable @helaineolen says I should bring in Lena Dunham to the conversation. Relevant, but I'll resist. Too complicated!
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Replying to @HeerJeet
40. Rather, I think the more fruitful way to bring this to an end is to bring in political economy & power relations.
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Replying to @HeerJeet
41. I know, I know: always with the political economy Jeet, you doctrinaire leftist!
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