14. We're story-making animals. We look at a Jackson Pollock & we make up stories about why the artist painted as he did.
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Replying to @HeerJeet
15. As narrative exiled from painting, artists like Colville found impact spreading to film. There are 4 Colvilles in Kubrick's Shining
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Replying to @HeerJeet
16. As noted earlier, this Colville http://3.bp.blogspot.com/-6D80EKV5hPg/T8eixIeiLnI/AAAAAAAADaY/Z8JAlf14j-U/s640/To_prince_edward_island.jpg … inspired scene in Moonrise Kingdom
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Replying to @HeerJeet
17. In trying to tease out Colville's narratives, impossible to ignore that as solider in 1945 he saw Bergen-Belsen shortly after liberation
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Replying to @HeerJeet
18. Very rarely in Colville do we get an fully unimpeded human face. Humanity is a species we can't look in the eye.
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Replying to @HeerJeet
19. Colville's animals in a number of paintings face us squarely, his people very rarely.
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Replying to @HeerJeet
20. Colville's people aren't ready to disclose themselves to us too quickly, they bear burdens that we have to guess at.
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Replying to @HeerJeet
21. Colville's dates are 1920-2013. Aside from huge influence of war, he came to maturity as an artist in post-war era, 1945-1960.
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Replying to @HeerJeet
22. Forget cliches of post-war boom. Colville's period was age of anxiety, existentialism, angst, suppressed fears, foreboding.
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Replying to @HeerJeet
@HeerJeet There's a subtly surreal Magritte-like quality in separation from the ground plane, a curious disengagementpic.twitter.com/q8p224syL2
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@eric_boelling Ghostly. Might explain why Kubrick used 4 Colville's in The Shining.
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