5. To apply Frye.If Orson Welles gave interview expounding on what Rosebud "means" we'd be naturally interested, but can't be "final answer"
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Replying to @HeerJeet
6. To say a work of art is ambiguous is simply to say that it is open to multiple interpretations. Which is to say, it is rich.
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Replying to @HeerJeet
7. There are works of art that exhaust themselves on first reading or viewing. That's okay. But richest works are ones we return to
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8. As
@michelledean points out, ending of Sopranos is only one of many ambiguities in show. Is Tony good or bad? How can that be answered?5 replies 3 retweets 5 likes -
Replying to @HeerJeet
9. Multiplicity of interpretation exists not only among different critics but within ourselves. Jane Austen changes each time you re-read.
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10. Despite Barthes, Frye, etc. there are a few areas where authorial intent still valid: satire, counterfeiting and criminal law.
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11. It's supremely relevant to recognize, in reading Modest Proposal, that Swift was a satirist rather than a policy wonk.
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12. Equally important, as Hugh Kenner once noted, to know that Andy Warhol was artist, not someone trying to do Campbell Soup knockoffs.
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Replying to @HeerJeet
13. One painter could do exact Van Gogh copy as "post-modern pastiche"; another as a forgery. Intent is important!
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