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HeerJeet's profile
Jeet Heer
Jeet Heer
Jeet Heer
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@HeerJeet

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Jeet HeerVerified account

@HeerJeet

1. Writer, The Nation https://www.thenation.com/authors/jeet-heer/ … 2. email: jeetheer1967 at gmail dot com 3. Twitter essayist 4. Drawn by Joe Ollmann

thenation.com
Joined June 2012

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    1. Jeet Heer‏Verified account @HeerJeet 4 Apr 2014
      Replying to @HeerJeet

      6. Updike's story "The Christian Roomates" touches glancingly on social difficulties faced by black students in 1950s Harvard.

      1 reply 2 retweets 0 likes
    2. Jeet Heer‏Verified account @HeerJeet 4 Apr 2014
      Replying to @HeerJeet

      7. In 1950s New York, Updike of course encountered a much more racially cosmopolitan society, which made him uneasy.

      1 reply 1 retweet 0 likes
    3. Jeet Heer‏Verified account @HeerJeet 4 Apr 2014
      Replying to @HeerJeet

      8. Updike's 1957 story "A Gift From the City" can be read as an account of white flight: husband fearful of blacks in city.

      1 reply 1 retweet 1 like
    4. Jeet Heer‏Verified account @HeerJeet 4 Apr 2014
      Replying to @HeerJeet

      9. The 1960 story "A Doctor's Wife" reflection of uneasy privilege of upper class whites vacationing in Caribbean.

      2 replies 1 retweet 0 likes
    5. Jeet Heer‏Verified account @HeerJeet 4 Apr 2014
      Replying to @HeerJeet

      10. Updike's 1st wife Mary active supporter of Civil Rights movement. Updike not opposed but his conservative temperament caused friction.

      2 replies 1 retweet 0 likes
    6. Jeet Heer‏Verified account @HeerJeet 4 Apr 2014
      Replying to @HeerJeet

      11. Updike was very conscious that the was winner in the American system - "lucky". Like most winners, uneasy about change.

      1 reply 2 retweets 1 like
    7. Jeet Heer‏Verified account @HeerJeet 4 Apr 2014
      Replying to @HeerJeet

      12. At civil rights marches, Updike's unease expressed itself with mockery -- he adopted minstrel accents. (See "Marching Through Boston")

      1 reply 1 retweet 1 like
    8. Jeet Heer‏Verified account @HeerJeet 4 Apr 2014
      Replying to @HeerJeet

      13. Updike's most ambitious 1960s grappling with race is of course "Rabbit Redux" (1971 but set 1969).

      1 reply 1 retweet 0 likes
    9. Jeet Heer‏Verified account @HeerJeet 4 Apr 2014
      Replying to @HeerJeet

      14. In "Rabbit Redux" white middle american Everyman meets hippy feminist and black power radical.

      1 reply 2 retweets 0 likes
    10. Jeet Heer‏Verified account @HeerJeet 4 Apr 2014
      Replying to @HeerJeet

      15. Begley has a high opinion of "Rabbit Redux"; I think it's a disaster but a fruitful one.

      1 reply 2 retweets 0 likes
      Jeet Heer‏Verified account @HeerJeet 4 Apr 2014

      16. In "Rabbit Redux" Updike showed that he had (at least at that time) no ear for black vernacular speech. Black section badly misfires.

      6:52 PM - 4 Apr 2014
      • 1 Retweet
      • Jeet Heer
      2 replies 1 retweet 0 likes
        1. New conversation
        2. Jeet Heer‏Verified account @HeerJeet 4 Apr 2014
          Replying to @HeerJeet

          17. Yet Updike in "Redux" was for the first time confronting the non-white world that his earlier fiction had drawn a curtain against.

          1 reply 1 retweet 0 likes
        3. Jeet Heer‏Verified account @HeerJeet 4 Apr 2014
          Replying to @HeerJeet

          18. Out of "Redux" failure, the Rabbit books expand their social field outside Angstrom's personal life and try to encompass America.

          1 reply 1 retweet 0 likes
        4. Show replies
        1. New conversation
        2. Evan Kindley‏ @evankindley 4 Apr 2014
          Replying to @HeerJeet

          @HeerJeet Do you know Michael Szalay's "Hip Figures: A Literary History of the Democratic Party"? He's got an interesting reading of this.

          2 replies 0 retweets 0 likes
        3. Evan Kindley‏ @evankindley 4 Apr 2014
          Replying to @evankindley

          @HeerJeet (and he talks about "Rabbit, Run" and race as well)

          0 replies 0 retweets 0 likes
        4. End of conversation

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