Dunno how this knowledge changes how we view art, but it’s gotta do something.
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Replying to @nickhunebrown
@nickhunebrown There's a whole meta-narrative that plots tacitly acknowledge: Casting changes, series finales, things spoiled and unspoiled.1 reply 0 retweets 0 likes -
Replying to @ivortossell
@ivortossell Exactly. I read some interview with the Homeland showrunner and it seemed so easy to become paralyzed by the meta-narrative.5 replies 0 retweets 0 likes -
Replying to @nickhunebrown
@nickhunebrown@ivortossell A high percentage of comments on Eye Weekly stories would reference our market position in relation to NOW.3 replies 0 retweets 0 likes -
Replying to @thekeenanwire
@thekeenanwire@ivortossell Their knowledge of the dynamic between the two weeklies informs their reading of an article, etc.1 reply 0 retweets 0 likes -
Replying to @nickhunebrown
@nickhunebrown@ivortossell Exactly. Which is external to the story I was actually trying to tell.1 reply 0 retweets 0 likes -
Replying to @thekeenanwire
@thekeenanwire@ivortossell No, totally, but at least the two exist in the same universe! (Unlike eg the creator of Homeland and its hero)1 reply 0 retweets 0 likes -
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Replying to @thekeenanwire
@thekeenanwire@nickhunebrown Unlike, say, the budget narrative of the Ford universe, and the meta-narrative of the real-world budget.1 reply 0 retweets 1 like -
Replying to @ivortossell
@ivortossell@thekeenanwire@theturner OK, jumping off the computer now, but will think about founding school of New Criticism for TV.1 reply 0 retweets 0 likes
@nickhunebrown @ivortossell @thekeenanwire @theturner We should take this up tomorrow but briefly problem partly rise of fan/nerd culture
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