If you're interested in the dynamic whereby bohemian artists move from a general anti-capitalism into proto-fascism or fascism, probably good to read about the careers of Ezra Pound, Wyndham Lewis, Julius Evola, Louis-Ferdinand Céline etc. The pattern is familiar.
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I get the sense Kevin Sorbo (and Scott Baio, Joe Rogan, etc) were always right-leaning dudebro types, not avant garde intellectuals
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To the extent they gave it any thought at all, you're probably right.
End of conversation
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