1. A lot of twitter jokesters had a field day a New Yorker critic named The French Dispatch as the best film of 2021 -- it seemed a mite self-congratulatory for The New Yorker to celebrate a film celebrating The New Yorker.pic.twitter.com/mHtSfTFTRS
1. Writer, The Nation https://www.thenation.com/authors/jeet-heer/ … 2. email: jeetheer1967 at gmail dot com 3. Twitter essayist 4. Drawn by Joe Ollmann
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1. A lot of twitter jokesters had a field day a New Yorker critic named The French Dispatch as the best film of 2021 -- it seemed a mite self-congratulatory for The New Yorker to celebrate a film celebrating The New Yorker.pic.twitter.com/mHtSfTFTRS
2. There have been movies about The New Yorker & its writers before -- Mrs. Parker and the Vicious Circle, Joe Gould's Secret -- but none have been as polarizing as The French Dispatch, in part because its not just about the magazine but the myth of the magazine.
3. The myth of New Yorker was actually discouraged by the two editors who dominated the magazine for its first 60+ years, Harold Ross & William, both in their way men of the shadows who wanted editing to be invisible. They resented myth-making of Thurber, Brendan Gill, etc.
4. The myth of the New Yorker is the myth of the perfect magazine. @JamesWolcott: "[Shawn’s] desk was an altar where the ideals of accuracy, clarity, and understated elegance were held sacrosanct. Every article, no matter how ephemeral, was groomed like a French poodle."
5. Emotional heft of myth is the idea of the magazine as a family presided over by a grumpy but benign patriarch (Ross, Shawn) -- a family of geniuses. Wes Anderson, who keeps revisiting family of geniuses idea since Royal Tennanbaums -- was natural to do New Yorker myth movie
who would be ideal director for a fiction film about the myth of the NYRB 
He already did the non-fiction version... I was thinking more Darren Aronofsky. Or Michael Bay?
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