My most reactionary opinion of the year is that The French Dispatch is a delightful confection. If you accept that it's not a movie about the New York but rather about the idea of the New Yorker (or the mythos of The New Yorker) much of the animus against the movie becomes moot
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When did American Francophilia end? You look at 1945-1970 and there was an enormous popular interest in French literature, philosophy, cuisine, fashion, film. What happened?
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