My most reactionary opinion of the year is that The French Dispatch is a delightful confection. If you accept that it's not a movie about the New York but rather about the idea of the New Yorker (or the mythos of The New Yorker) much of the animus against the movie becomes moot
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Also: My students have a lot more Wes love these days than my colleagues…
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The math on how old they are and when Wes’ animated movies came out is very depressing but probably doing a lot of work.
End of conversation
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