Wes Anderson's films baffle many otherwise-astute critics because they're inescapably, essentially "for interpretation": despite the sensory and narrative overload, nothing is literal or realistic, everything is symbolic and demands imaginative sympathy to get anything at all—...
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About 1/3 of Americans believe the Big Lie - that’s a lot of lapses.
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What a terrible way to look at everyone.
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From what I see on TV… “realism” is a bizarre cocktail of aspirational capitalism and schadenfreude.
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